Sebastian Rudd is an
unconventional criminal defense attorney.
After having his office fire-bombed, he now operates out of a luxury van
complete with work station, leather chairs, a bar and an armory. He has no work associates other than
his driver/assistant/caddy, Partner, and he lives on the 25th floor
of a high rise where he feels safe from those who would seek retribution for a
verdict they didn’t like. These
living/working aspects of his life are a clue to the kind of people he usually
defends. He has an acrimonious
relationship with Judith, the mother of his child, who is regularly taking him
to court to strip him of any visiting rights. While Rudd is not father material exactly, a fact that he
readily admits, he does want a relationship with his son, and this battle
continues in the background of various cases in which he is involved throughout
the novel, featuring more prominently at one point when his son is
kidnapped. Unlike with most
detective fiction, Grisham’s past work included, Rudd juggles several cases at
a time and the story has several arcs rather than focusing on just one case – a
feature that I liked because it seems more realistic and more interesting. There’s a whole cast of characters who
march through the courtroom: a
drug-addicted, tattooed teenager falsely accused of killing two little girls; a
man who is a victim of a botched police home invasion; a death-row criminal who
arranges for the murder of a judge; and a young cage fighter who kills a
referee in the ring when the fight doesn’t go his way.
In Rudd, Grisham creates a
character who is occasionally unlikeable but who is ultimately sympathetic
because his higher moral instincts take over when needed. While he is willing to take on clients
who, in his words, are usually guilty, he both believes that they have a right
to a good attorney and he is often paid handsomely by these people. Grisham uses Rudd as a way to criticize
everything from big banks, insurance companies and, most importantly, the judicial
system, giving voice to, for example, his clear criticism of a system that professes to assume innocence but that
more often presumes guilt. The
police department in the book’s unnamed city is a hotbed of corruption and
Grisham presents pay offs and cover-ups as part of a system that skews
justice. Rudd will bend the rules
himself but only if he thinks there is no other way to protect the innocent.
Grisham may be seen as a
writer of thrillers that one takes to the beach – and that characterization isn’t
entirely wrong – but the quality of his writing has gradually evolved and a
reader can appreciate him on multiple levels. In the past few years, he has tackled hot button issues,
revealing their complexities, while creating strong, memorable characters. Take him to the beach when you pack
your bags this summer; you won’t be sorry.
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