Resistance Reading
Last week Washington Post book critic Ron Charles
published a piece that begins this way:
“Donald Trump may not be a big reader, but he’s been a boon for sales of
dystopian literature. Amid our
thirst for adult coloring books and stories about missing girls and
reincarnated puppies, some grim old classics are speaking to us with new
urgency” (https://www.washingtonpost.com/entertainment/books/why-orwells-1984-matters-so-much-now/2017/01/25/3cf81964-e313-11e6-a453-19ec4b3d09ba_story.html ).
Charles goes on to cite links that anyone familiar with George
Orwell’s 1984 has also noticed with a
shudder: Kellyanne Conway’s
“alternative facts,” and Sean Spicer’s repetition of Donald Trump’s assertion
that his inauguration drew “the largest audience ever” despite photographic and
statistical evidence to the contrary.
I had already been thinking about this. Some old friends were in town for the
Women’s March and mentioned that one of the things they and their friends had
decided to do as a way of talking about the post-election world that has
liberals reeling is to start a book club around “resistance literature.” Their first title is Sinclair Lewis’
1935 classic It Can’t Happen Here, (which, by the way, is temporarily out
of stock at amazon.com) about the rise of a president who turns into a dictator
to protect the nation from welfare cheats, immorality, crime and a liberal
press. Hmm, sound familiar? They weren’t sure where they are going
after this book, but I have a few suggestions:
Another classic, Being
There by Jerzy Kosinski, like the Lewis novel is a satire, this one focused
on the media. Chauncey Gardiner
(played by the wonderful Peter Sellers in the film version) is “a household
face. . .the one everyone is talking about, though nobody knows what HE is
talking about. No one knows where he has come from, but everybody knows he has
come to money, power and sex,” (amazon description). Substitute the main character’s name here. . .
A trio of fairly recent books about the French resistance
movement during WWII comes to mind.
The award-nominated All the Light
You Cannot See by Anthony Doerr, the popular but light-weight The Nightingale by Kristen Hannah, and Trapeze by Simon Mawer all capture the
fear and courage involved in taking action against tyranny. These are all more serious books that
may ultimately be more heartening to read because the good guys have some
success.
One could do worse than take a literary tour of resistance
around the world. Julia Alvarez’s In the Time of the Butterflies, based on
a true story, lyrically recounts the story of the three Mirabel sisters, known
as “the mariposas,” who worked in the underground movement that attempted to
overthrow the dictator, Trujillo, in the Dominican Republic in the 1960’s. Anil’s
Ghost by Michael Ondaatje is set in the Sri Lanka of the 1980’s when a
civil war raged. Anil, originally
from the island, has been an ex-pat in Britain and later America; she is a
forensic pathologist who is brought back to Sri Lanka to investigate claims
that the government is killing its own people. The book speaks to the danger of attempting to expose a
corrupt government as well as enlightening western readers about a real
conflict about which they may know nothing. The Cellist of
Sarajevo by Steven Galloway is a haunting book that follows four people
trying to survive in the titular war-torn city. In a response to a bombing that kills 22 people standing in
line to buy bread, a gifted cellist vows to play every day for 22 days at the
site. Another character is a young
sniper who picks off enemy soldiers.
A third character is trapped in the city after sending his family away
to safety; he believes he can protect himself through isolation but a pivotal
event challenges this assumption. Anthony Marra’s A
Constellation of Vital Phenomena takes place in Chechnya between 1996 and
2004 and focuses on several characters who struggle to both survive and to
resist the Russian forces that are destroying the villages and cities.

Sitting on my nightstand is the most recent recipient of the National Book Award, Colson Whitehead’s The Underground Railroad. Whitehead re-imagines the secret network that fought against slavery as a real set of tracks and tunnels beneath the earth and above-ground stations that transcend time. It looks to be part resistance story and part reminder that racism is, sadly, still alive and well.
And finally, a different kind of resistance is explored in Jose
Saramago’s Blindness. First, there is much to discuss as
characters and readers confront the contagious blindness that sweeps through a
society. Could the blindness be a
refusal – a resistance, if you will – to recognize the suffering of
others? The first blind
people are rounded up and imprisoned in an abandoned insane asylum (another
ironic point of discussion) where as food becomes scarce, violence escalates. One woman, identified only as The
Doctor’s Wife, has not gone blind, and she becomes the de facto leader of the
group that resists the compulsion to let go of civilized behavior. She is a reminder that we must resist,
that we must fight back, and that courage in the face of tyranny is our most
important asset.


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